← Back to Library

What Putin’s really like in private

Tim Mak's latest reporting strips away the cinematic mystique surrounding Vladimir Putin, replacing the "reserved strategist" archetype with the chilling reality of a man who views democracy as a transaction and his neighbors as barbarians. By anchoring the narrative in the personal testimony of Oleh Rybachuk—a former Soviet customs officer turned Ukrainian activist—the piece exposes the raw, unfiltered psychology of the Kremlin's inner circle, offering a stark counter-narrative to the polished image projected in the new film The Wizard of the Kremlin.

The Illusion of the "Nice Bloke"

Mak constructs his argument around a pivotal, forgotten encounter from 2005, where the gap between Russian propaganda and operational reality became terrifyingly clear. He writes, "On leisurely strolls and over hearty dinners, these people tried their best to impress Oleh and erase any idea of President Putin being 'a monster and a KGBist.'" This framing is crucial; it highlights how the Russian security apparatus, or siloviki, has long relied on a performative softness to mask their true intentions. The author effectively uses Rybachuk's background—his time as a student among the nomenklatura and his later role in the Orange Revolution—to show that the Kremlin's attempts at charm are not genuine diplomacy but calculated psychological operations.

What Putin’s really like in private

The piece details a specific meeting in the Kremlin's "tea room," a space that once belonged to Joseph Stalin, where the facade dropped instantly. Mak quotes Rybachuk describing the moment Putin shifted from a relaxed host to an aggressor: "As soon as I began telling [Putin] the truth, his facial expression changed completely. He grabbed my arm… and said, 'Oleh, stop it, I can see you're a smart lad. I know who was funding it all, where the money was coming from, how much, and who Soros and Americans paid. That's it!'" This anecdote is the article's beating heart. It demonstrates that the current invasion is not a sudden geopolitical miscalculation but the culmination of a decades-long refusal to accept that Ukraine's sovereignty is anything other than a conspiracy funded by foreign powers.

He can't grasp — he hates — and he is afraid of what today's Ukraine is.

Critics might argue that focusing on a single meeting from two decades ago risks oversimplifying a complex geopolitical landscape. However, Mak's choice to center this specific interaction is deliberate; it reveals the consistent, unchanging core of the executive branch's worldview. The author argues that Putin's inability to comprehend the Orange Revolution—a moment where the siloviki failed to buy or bully a pro-Western outcome—laid the groundwork for the brutal escalation seen today. As Mak notes, "His decisions to occupy Crimea in 2014, invade Donbas, and launch a full-scale war in 2022 stem from his expectations that guns always win and democracy can be bought and sold."

The Architecture of Fear

The commentary extends beyond the personal to the institutional, warning readers against the comforting belief that the removal of one leader will dismantle the system. Mak draws a sharp distinction between the man and the machine he built. He paraphrases Rybachuk's sobering assessment: "We mustn't deceive ourselves into believing that after Putin's death, Russia will change... 70 percent of Russian officials have close ties to the KGB, FSB, and oligarchs. This is not democratic state material." This is a vital correction to the Western tendency to personalize foreign policy. The article suggests that the threat is structural, rooted in a system where 70% of the bureaucracy is inextricably linked to the security services.

The piece also touches on the human cost of this systemic arrogance, referencing the 24 civilians killed in a recent missile strike on Kyiv, which Ukrainian officials claim contained Western components. While the article focuses heavily on the psychological profile of the leadership, it does not let the reader forget the consequences of their actions. The juxtaposition of the "tea room" conversation with the reality of modern warfare—where coordinates for the President's Office are shared with Belarusian counterparts—creates a jarring, necessary contrast. Mak writes, "Russia can only be stopped by force," a conclusion that feels less like a hawkish platitude and more like a grim necessity derived from the evidence presented.

Bottom Line

Tim Mak's most powerful contribution is the dismantling of the "complex villain" narrative, replacing it with a portrait of a leader whose fear of democracy drives his aggression. The piece's greatest strength lies in its use of primary testimony to reveal that the Kremlin's current actions are not strategic brilliance but a desperate, violent reaction to a reality it refuses to accept. The biggest vulnerability for Western policymakers is the persistent hope that the system will soften; this commentary makes it clear that the system is designed to be unyielding, and that understanding the enemy's psychology is the first step toward stopping the violence, not the last. The debris of this regime may be inevitable, but as Rybachuk warns, the West must not mistake the inevitability of collapse for the safety of the aftermath.

Deep Dives

Explore these related deep dives:

  • The Wizard of the Kremlin Amazon · Better World Books by Giuliano da Empoli

  • Orange Revolution

    The article mentions Oleh Rybachuk's role in the 2004 protests, and this entry explains the specific non-violent tactics and international election monitoring that toppled the Yanukovych regime before his later return to power.

  • Silovik

    While the text describes Putin as a 'cunning strategist' with a Soviet past, this article defines the specific network of former intelligence officers who dominate the Russian state, clarifying the structural basis of the 'criminal regime' Rybachuk opposed.

  • The Wizard of the Kremlin

    The film discussed in the article is an adaptation of this 2022 French novel, and the source text reveals the specific literary theories of power and 'banality of evil' that the movie attempts to visualize, which Ukrainian critics argue romanticizes the dictator.

Sources

What Putin’s really like in private

Featured subscriber comment:

“Thank you for bringing us these wonderful stories. You all do amazing work and it is appreciated. Stay safe.”

By Kristi Lau

If you appreciate our work as much as Kristi Lau, support us by upgrading your subscription.

We want to better understand what stories resonate most with you, our readers. What do you want to read next? If you have other ideas, let us know in the comments.

What it means to be Ukrainian and Indigenous in Canada

Oi oi oi: a complete history of Ukrainian exclamation

When policemen stopped his car near the city of Ternopil, they recognized Oleh Rybachuk without even asking for his passport.

This was the 2010s, the era of Putin-backed president Viktor Yanukovych, when the police had a good memory for faces.

“What are you doing?” they asked about his current occupation.

“I’m fighting against the criminal [Yanukovych] regime,” Oleh replied.

One of the officers let out a stifled laugh and asked, “So what have you been doing before?”

“I was part of such a regime,” he said, implying his Soviet past.

“Godspeed,” the police sighed, letting him go.

Once a USSR customs officer, Oleh became a Secretary of State to President Yushchenko in 2005 and then later a prominent civil activist.

His disgust towards Russia hasn’t waned over the years, but an invitation to the Kremlin to meet Putin might have added a new edge to it.

Historians, analysts, and even fiction writers have always been trying to get into criminals’ heads and reveal what pushed them to commit atrocities. A better understanding of evil is vital to protect lives from future crimes. On the other hand, it has a hidden temptation to exaggerate the villain’s grandeur and complexity, which eventually leads us to dig deeper and look for the traits we might be able to sympathize with.

On May 15, Vladimir Putin appeared on U.S. screens in the new film The Wizard of the Kremlin, directed by a French, British, and American crew led by Olivier Assayas. After the premiere at the 82nd Venice International Film Festival in August 2025, the movie received controversial reviews. Ukrainian critics are accusing it of romanticizing Russia and a lack of empathy for Ukrainians, as Putin’s humanized portrayal during the active war is a sensitive topic.

Intended to tell the story of how Vladimir Putin rose to power, the film once again shifts ...