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Where is the best place to locate a theme park?

Dave Amos challenges a deeply ingrained assumption in urban planning and pop culture: that the sprawling, self-contained magic of Walt Disney World is the ultimate realization of a theme park. Instead, he argues that the original Disneyland in Anaheim, often dismissed as an eyesore of suburbia, actually represents a superior model of urbanism. By contrasting the walkable, transit-adjacent reality of California with the car-dependent, isolated fortress of Florida, Amos forces us to reconsider what makes a destination truly successful for the people who live and work around it.

The Bubble Myth

The piece begins by dismantling the romanticized origin story of Disney's expansion. Amos notes that Walt Disney himself "hated this juxtaposition" between his curated park and the surrounding strip malls. He recounts how Disney tried to buy neighboring land to protect his vision but failed, eventually retreating to Florida to build a "magical bubble" shielded by vast natural areas. Amos writes, "Walt Disney World is the ultimate park, the closest reflection of Walt Disney's true vision, the better resort, basically. And I'm here to tell you that that assessment is wrong." This reversal is the article's engine. It suggests that the very isolation Walt sought in Florida is a flaw, not a feature, when viewed through the lens of how cities function.

Where is the best place to locate a theme park?

The author's comparison of the two locations reveals a stark difference in density and connectivity. In Anaheim, the park is embedded in a region with 3 million people, surrounded by a grid of streets that allows for walking. Amos points out that while the surrounding area has motels and strip malls, "the city has done a nice job along Katella Avenue, creating a nice walkable streetscape." This observation is crucial because it validates the idea that a theme park can coexist with a functioning city rather than requiring a separate, car-only ecosystem. Critics might argue that the noise and traffic of Anaheim degrade the guest experience, but Amos counters that the ability to walk from an affordable hotel to the park creates a more vibrant, human-scale environment than the bus-dependent sprawl of Florida.

"Disneyland is a big walkable bubble that you can actually walk to and from an affordable hotel. And anytime that Disney World expands, it feels like it's adding to suburban sprawl. Whereas, when Disneyland expands, it's essentially infill development."

The Cost of Isolation

Moving to Florida, Amos describes Walt Disney World not as a city, but as a "countyized gated community" with its own government, the Reedy Creek Improvement District (now the Central Florida Tourism Oversight District). He details how Disney effectively governs itself over 25,000 acres, shielding guests from the outside world. However, this insulation comes at a steep price in terms of transportation efficiency. Amos writes, "Disney World has some massive parking lots. The Magic Kingdom parking lot is one of the top five largest parking lots in the world with capacity for 12,000 vehicles. It's bigger than the park itself."

The sheer scale of this car infrastructure highlights the inefficiency of the Florida model. Unlike Anaheim, where guests can walk, Disney World requires a massive fleet of buses or personal vehicles to move people between hotels and parks. Amos argues that this creates a "lot of smaller bubbles connected by buses" rather than a cohesive destination. This framing is effective because it shifts the focus from the rides inside the park to the logistics of getting there. The argument holds up well against the reality of modern urban planning, which prioritizes reducing vehicle miles traveled. A counterargument worth considering is that the sheer size of the Florida resort allows for a variety of attractions that simply wouldn't fit in the tighter Anaheim footprint, but Amos suggests this comes at the cost of urban vitality.

The Global Standard

To find the true optimal location, Amos looks beyond the United States to Japan. He contrasts the American models with Tokyo Disney Resort, which is situated directly next to a metro stop. "You surely don't need one to get where you need to go," Amos observes regarding the Japanese experience. Here, the park is integrated into the regional transit network, eliminating the need for massive parking structures and allowing for a seamless flow of visitors.

The author also addresses the sensitive issue of adjacent land uses, specifically residential housing. In both Anaheim and Tokyo, single-family homes sit just feet away from the park boundaries. Amos notes, "If you look at Disneyland, there are single family homes adjacent to Disney property... It seems like all the impacts of that development can be mitigated." This challenges the notion that theme parks must be walled off from residential areas. While some might argue that residents would be annoyed by the constant influx of tourists, Amos's on-the-ground reporting suggests the neighborhoods are "pretty chill." This evidence is compelling because it relies on actual observation rather than theoretical zoning fears.

"Ideally, a theme park would be on a high-capacity transit stop, reducing the need for highways and seas of parking. Inefficient land uses that raise the nearby temperature. It's just bad for guest experience. It's also no fun to walk through a parking lot."

Bottom Line

Dave Amos makes a persuasive case that the "Disney bubble" is a flawed concept when it requires severing the park from the city. His strongest argument is the tangible comparison of walkability and transit access, proving that the original Anaheim location offers a more sustainable and urban-friendly model than the sprawling Florida resort. The piece's biggest vulnerability is its brief treatment of the economic realities that make such dense, transit-oriented development difficult to replicate in the American Sunbelt, but the core insight remains clear: the best theme parks are those that belong to the city, not those that try to escape it.

Sources

Where is the best place to locate a theme park?

by Dave Amos · City Beautiful · Watch video

In 1955, Walt Disney opened Disneyland in Anaheim, California, introducing the world to his vision for a new thing, a theme park. More than a mere amusement park, Disney's park would be clean, well-kept, a place for family entertainment. It would feature a main street modeled loosely on his hometown of Marceline, Missouri. Within Disneyland, every experience, view, and interaction will be carefully curated to make you feel like you're in this magical bubble.

Then you leave the park, Cross Harbor Boulevard, and the bubble bursts. You're met with wide suburban arterial streets, strip malls, and motel. Walt himself hated this juxaposition. He even anticipated the problem and tried to encourage a friend to purchase the land next to his so at least he could have some say in what would go there, but his friend declined.

Later, his friend would say that was one of the biggest business mistakes of his life. But at the time, people were betting against Disney and Disneyland. After the eventual success of Disneyland, Disney eventually went on to buy 25,000 acres in central Florida, where he could build multiple theme parks and surround them with vast swaths of natural area, shielding his guests from anything that could pierce the Disney bubble. The story I just told you is kind of the origin story of the Walt Disney Resort in Florida.

It also implies that Walt Disneyland was the first park. Walt Disney World is the ultimate park, the closest reflection of Walt Disney's true vision, the better resort, basically. And I'm here to tell you that assessment is wrong. Disneyland is better, at least from an urbanism point of view.

And the commentary about how bad Anaheim is just blown out of proportion. Now, I know apologist for suburbia, but at least there's a mix of land uses near the park entrance, unlike Walt Disney World, which is basically ex urban sprawl and a countyized gated community. But while Disneyland may be better, there are other parks out there with even better land use neighbors. The question I'm interested in is where's the best place to put a theme park?

Let's find out after the bike belt. If you feel like you're having deja vu, like you've seen this video before, it could be because you've watched Ray's City Nerd video a couple months ago on this very topic. This is what happens ...