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Proclamation of the creed

Anarchierkegaard delivers a startling critique of modern secular anarchism, arguing that its obsession with "the interesting" and aesthetic rebellion has trapped the movement in a cycle of self-defeating violence. Rather than offering a standard political history, the piece reframes the failure of revolutionary movements as a spiritual and philosophical crisis, suggesting that without a transcendent anchor, the desire for total freedom inevitably curdles into a desire for domination.

The Trap of Aesthetic Rebellion

The author begins by contrasting the grounded struggles of early anarchist thinkers with the modern tendency to treat politics as a performance. Anarchierkegaard writes, "The somewhat incoherent and multifaceted history of anarchist thought... is one of constantly being invented and reinvented by some external force." This observation strikes a nerve: it suggests that many modern radical movements are not driven by a coherent vision of the future, but by a reactive posture against the status quo. The author argues that this reactive stance turns the anarchist into a "jellyfish pushed by externalities," drifting without a true compass.

Proclamation of the creed

This framing is particularly effective because it moves the debate away from tactical disagreements about violence versus non-violence and toward the underlying psychology of the activist. The author posits that when the "good" is defined merely by the desire for change, the methods become perilously frail. As Anarchierkegaard puts it, "When the good, however it is defined, is determined merely by how one desires for the world to be, the methods for achieving that particular state are perilously frail." The piece suggests that this fragility leads to a paradox where the pursuit of freedom results in a new form of tyranny, as the movement becomes obsessed with its own image of power.

Critics might argue that this philosophical diagnosis overlooks the material realities that force marginalized groups into desperate, aestheticized resistance. However, the author's point remains that without a deeper ethical foundation, such resistance often collapses under its own weight.

The Consequentialist Dead End

The commentary deepens by examining the logical endpoint of a worldview that rejects anything beyond the material. Anarchierkegaard writes, "The ironic endpoint of the anarchist, then, is one obsessed with world domination because there is nothing else that they can aim their obsession towards." This is a bold claim, suggesting that the very attempt to create a universal order through human will is a contradiction in terms. The author argues that secular anarchists, by limiting their horizon to the present life, are forced to view history as a struggle against death, leading to a "consequentialist despair" where the ends justify any means.

The text highlights the historical shift from the theoretical insights of Proudhon to the "bomb-chucking" tactics of later figures, noting that this shift represents a loss of intellectual clarity. Anarchierkegaard notes, "In pursuit of conceptual and intellectual clarity... the unsettled position of the anarchist... finds that their goals are quickly isolated from the particularities of life." This isolation, the author argues, leads to a situation where the movement's goals are so abstract that they become impossible to achieve, leaving the individual anarchist with no real power.

The secular anarchist lives downstream in a genealogical chain of the would-be ethical thinkers who cannot escape their aestheticism.

A Different Path: The Christian Alternative

In the final section, the author pivots to a theological solution, arguing that the Christian tradition offers a way out of this nihilistic loop. Anarchierkegaard writes, "The Christian has the possibility of recognising life's existential nature, where, as a self, they step out from the ever-present, ever-potential capacity for nihilistic despair." The argument is that faith allows for a "movement of infinity" where means and ends are united, rather than divorced by the demand for immediate, tangible results.

The author contrasts the "Malatestan method" of worldly expansion with a Christian approach that finds meaning in suffering and the present moment. "Instead of seeing the world as something handed onto us and merely the object of our reckoning, the very goodness of creation can deliver us something that is deontological good," the text states. This reframing suggests that true liberation comes not from seizing power, but from a fundamental shift in how one relates to the world and to the divine.

While this theological turn may alienate secular readers, the author's analysis of the internal contradictions of secular radicalism remains compelling. The piece challenges the reader to consider whether the current political landscape is suffering from a lack of spiritual depth rather than a lack of political strategy.

Bottom Line

Anarchierkegaard's strongest contribution is the diagnosis of secular anarchism as an aesthetic project doomed to fail because it lacks a transcendent anchor, turning the pursuit of freedom into a quest for domination. Its biggest vulnerability lies in its reliance on a specific theological framework that may not resonate with those seeking purely political solutions, yet the warning against the self-defeating nature of reactive violence is a vital one for any movement to heed.

Sources

Proclamation of the creed

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On the Eternity of the Creed.

The point of departure from the secular anarchist, then, my reader, is one where we find ourselves in a different world from Errico Malatesta, Carlo Cafiero, and, even, Benjamin Pauli: we are very much in the realness of reality and posed against the adversary1 in its new, modern, contemporaneously impressive way. Now at an arm’s length from the great anarchist thinkers of early liberal society and an even further length from the great Christian thinkers of antiquity, the temptation to look back and adopt more of “the same” repackage as “the interesting” is one that could overwhelm the one not practiced in fear and trembling. The new challenge rears its head, just like the new sun rises over a new day—yet God asks for consistency from the Christian, understanding that this new sun sees nothing new under it.

There is something to be said for why these individuals failed in playing a part in God’s exodromic plan for the liberation of humanity from sin (possibly only in the sense that charges were brought against Israel’s faithlessness in Jeremiah 2) and where their worldly methods could inform—but not undergird—the Christian anarchist. Without “salt”, these efforts would always descend into the bland and flavourless architectures of domination: the very architectures that our Italian counterparts, separated by creed and time, failed to recognise in their overarching desires which undermined their goals.

On anarchist-aestheticism.

For the secular anarchist, aestheticism is “the demand of the times”. The somewhat incoherent and multifaceted history of anarchist thought, constantly adopting new ideas into the bloated carcass of their political perspective as “everything is political” (especially when we interpret everything as solely political before we have encountered it in a meaningful way!), is one of constantly being invented and reinvented by some external force, some adversarial undermining factor, that takes anarchism’s sometimes tenuous foundations and rips them up with great ease. Under the pressure of the anarchist’s necessarily oppositional relation to his adversary, the pressure of negation—for example, in retrospective assessment of perceived theoretical failures or in reflective ressentiment of the world’s crushing reaction against those who oppose it—has continually led anarchists ...