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How to live like the world is ending

Margaret Killjoy reframes the crushing weight of climate anxiety not as a call to despair, but as a paradoxical mandate for radical joy and collective preparation. In a landscape dominated by doom-scrolling and individualistic survivalism, Killjoy argues that the only sane response to a potential apocalypse is to simultaneously prepare for death, build community, and fight for a future that might still be saved.

The Paradox of Planting Trees

Killjoy anchors her essay in a piece of anarchist folk art: a drawing of a tree with a circle-A superimposed, bearing the text "even if the world was to end tomorrow I would still plant a tree today." She traces this sentiment back to a misattributed quote by Martin Luther and a hadith, noting its origins in the German Confessing Church's resistance to Nazi power. This historical grounding is crucial; it shifts the narrative from nihilistic resignation to active defiance.

"The quote was used to inspire hope, to inspire people to action."

Killjoy acknowledges the validity of the argument that for many, particularly those ravaged by Western imperialism, the world has already ended. Yet, she insists that the current acceleration of climate records and ecological collapse creates a unique, paralyzing urgency. She rejects the binary of denial and panic, proposing instead a four-part framework for living. This approach is effective because it validates the reader's fear without letting it become the sole driver of their existence. It acknowledges that while the machine gun slaughter of the past felt like an apocalypse, the current crisis demands a different kind of endurance.

How to live like the world is ending

Beyond the Bunker Mentality

The piece takes a sharp turn against the popular culture of prepping. Killjoy critiques the "plucky gang of survivors" trope found in cinema, arguing that isolation is a death sentence in a real crisis. She posits that the most vital resource for survival is not ammunition or rice, but human connection.

"The most effective means of survival in crisis is to create community disaster plans. To practice mutual aid. To build networks of resilience."

She dismantles the fantasy of the self-sufficient cabin, pointing out the dangers of groupthink and the lack of diverse skills in small, insular groups. More importantly, she argues that withdrawing from society cedes the political ground to fascists. "If you go hide in the woods with your stockpile and your buddies, and fascists take over, guess what? It's kind of your fucking fault," she writes. This is a powerful, if uncomfortable, reminder that survival is inherently political. Critics might argue that in a total societal collapse, community networks could fracture just as easily as institutions, but Killjoy's point stands: isolation guarantees vulnerability, while collective action offers a chance at agency.

"Fascism is always best stamped out when it starts. It's never safe to ignore it. Not now, not during any Mad Max future."

The Necessity of Contradictory Hope

Killjoy's most distinctive contribution is her insistence on holding four contradictory priorities at once. She urges readers to "Act like we're about to die" by pursuing hedonism and joy, while also "Act like we might have a chance to stop this" by engaging in direct action. She rejects the idea that we are merely "allowed" to effect change, challenging the notion that revolution is impossible.

"The revolution cannot be controlled by a vanguard of activists; if it is, it will fail. The revolution must be controlled by its participants, because only then will we learn how to claim agency over our own lives and futures."

She warns against the authoritarian urge to manage the revolution, noting that "authoritarian communism is the death of any revolution" just as "authoritarian liberalism is the death of any revolution." This is a nuanced take that avoids the trap of dogmatic ideology, focusing instead on the diversity of skills needed—from medics to musicians to hackers. She balances this urgency with a pragmatic "Act like everything will be okay," acknowledging that capitalism is a "sturdy beast" and that we must maintain careers and long-term projects even while preparing for collapse.

Bottom Line

Killjoy's argument is strongest in its rejection of the paralysis that often accompanies climate discourse, replacing it with a robust, multi-faceted strategy for living. Its greatest vulnerability lies in the sheer emotional and logistical demand of maintaining four contradictory mindsets simultaneously, a feat that may be difficult for those already overwhelmed by crisis. The piece serves as a vital reminder that the fight for a better world requires both the courage to plant trees in the face of doom and the wisdom to build the networks that will sustain us if the storm hits.

Sources

How to live like the world is ending

by Margaret Killjoy · Birds Before the Storm · Read full article

I’ll be in Waynesboro, Virginia this Saturday at the A Better World is Possible Anarchist Bookfair this Saturday if you’d like to come see me speak or pick up whatever I manage to scrounge up to table with. The bookfair runs 10-Dusk on July 26 at 565 Pine Ave. I’ll be speaking sometime during or shortly after lunch.

This is a lightly edited repost of an essay I wrote in 2019 on my old blog. Its title is where I wound up with the name of the podcast Live Like the World is Dying, which a friend of mine suggested as better wordplay than “ending.” Since I’ll be speaking this weekend about why we envision and fight for better worlds, it felt like an appropriate thing to post this week, especially since my blog has been down for awhile.

How to Live Like the World is Ending.

The world might be ending.

There’s a commonly replicated piece of anarchist folk art that means a lot to me. I don’t know who drew it. It’s a drawing of a tree with a circle-A superimposed. The text of it reads “even if the world was to end tomorrow I would still plant a tree today.”

I grew up into anarchy around this piece of art. It was silkscreened as patches and posters and visible on the backs of hoodies and the walls of collective houses. It was graffitied through stencils and it was photocopied in the back of zines. It’s a paraphrasing of a quote misattributed to Martin Luther (the original protestant Martin Luther, not Martin Luther King, Jr., although plenty of people misattribute the quote to him as well). The original quote is something like “Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree.” The earliest reference to it anyone can seem to find is from the German Confessing Church, a Christian movement within Nazi Germany that sought to challenge Nazi power. The quote was used to inspire hope, to inspire people to action. I’ve learned that it is a paraphrasing of a hadith: “If the Resurrection were established upon one of you while he has in his hand a sapling, then let him plant it.”

That’s something I can get behind.

There’s this book that means a lot to me, On the Beach, by Nevil Shute. I’ve never read it. ...