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The kilt 10 special edition mod: More headroom, more clarity, more gain!

The Kilt 10 Special Edition Mod: More Headroom, More Clarity, More Gain!If you've ever struggled with getting a low-gain distortion sound that actually sounds good, or wished your drive pedal had more versatility at lower volumes, this 10-year anniversary edition might be the fix you've been waiting for. Josh Scott and StuOG have spent a decade refining The Kilt, and the changes aren't just cosmetic — they're substantive enough to make this one of the most versatile dirt pedals on the market.", ## The Pedal That Started Everything

The Kilt began as JHS Pedals' first artist signature pedal, born from a conversation between Josh Scott and StuOG after they met in Nashville back in 2014. At the time, StuOG was frustrated with the original Xpendor pedals — the internal dip switches meant each unit sounded slightly different in fuzz mode, making it difficult to get consistent results. He wanted something more reliable, more approachable, but still retaining that vintage character.

The kilt 10 special edition mod: More headroom, more clarity, more gain!

Ten years later, The Kilt has become something of a cult classic among guitarists. It's found its way onto countless pedal boards across genres — country players, jazz musicians, and studio engineers using it on drum buses alike. For the 10-year anniversary, Scott decided to go completely opposite from where they started: clean it up while keeping it loud and warm.

The Germanium Transformation

The heart of this pedal has always been how it clips the signal. In the original Xpendor, a silicon-style diode was used — reliable but somewhat limited in character. The team decided to introduce Germanium-style clipping into The Kilt 10-year edition, which fundamentally changes the feel.

Germanium has lower forward voltage, meaning it clips earlier and offers less headroom than silicon. It's similar to how a small tube amp turns up and clips — warm, saturated, and distinctly vintage. This is the same clipping approach used by the legendary Korg pedals and MXR's Distortion Plus.

The key here is combining that old-school Germanium character with modern components that are more reliable and easier to produce consistently. The result is a pedal that feels like vintage gear but performs like something built today.

Fixing the Low Gain Problem

One of the biggest issues with previous versions was what happened when you turned the gain down. At lower gain settings, you'd lose volume and essentially couldn't get a usable sound. The 10-year edition fixes this by giving you more usable first 25% of the gain control — something thousands of Kilt owners have asked for.

The flat switch has also been dramatically improved. Previously, people playing through big Marshall stacks or modern amp setups might not have felt its effect. Now it's more audible and impactful, giving you that low-end presence regardless of your rig.

Volume and Presence

Beyond the clipping changes, The Kilt 10-year now has more overall volume — something Scott admits was always a strength of JHS Pedals designs but which somehow slipped through on this particular pedal. It's louder, more present, and offers better cleanup with the volume control. This gives you more possibilities when stacking with other pedals.

The presence has also been tweaked. Using Germanium-style diodes naturally creates warmer, sometimes darker tones, so Scott had to compensate by adding a bit more crispness and presence. The result is something that feels uniquely familiar while being super present in the mix.

Stacking Magic

What makes this pedal truly special is how it stacks with other drives. Setting gain one on, then engaging the red remote for gain two lets you go from clean drive to raging gated fuzz — all within a single pedal. You can hit the foot switch and transform your tone instantly.

This isn't just theoretical. Scott describes it as possibly "the best second stage stacking pedal ever" because it offers so many combinations. The settings allow everything from low-medium gain overdrive to full-on buzz, with transparent bluesy thickness all the way through full fuzz — switching on the fly with the remote.

It's like having a vintage piece of gear but with modern reliability — that couch everyone had as a kid, the orange one.", "counterpoints": "Critics might note that the Germanium-style clipping creates a darker, warmer tone that may not appeal to players looking for bright, cutting distortion tones. The pedal's extreme versatility also means it can feel like you're sacrificing some focused character for general adaptability — not every player needs or wants a do-everything dirt pedal.", "bottom_line": "The Kilt 10-year edition successfully addresses the two biggest complaints users have raised over ten years: low gain usability and the flat switch effectiveness. The Germanium-style clipping gives it that vintage warmth while maintaining modern reliability. Its biggest strength — the stacking versatility — is also its potential weakness, as players seeking more focused tonal character may prefer simpler drives. But for those who want one pedal that can cover clean overdrive through gated fuzz without losing their gain structure, this is a significant upgrade.

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The kilt 10 special edition mod: More headroom, more clarity, more gain!

by Josh Scott · JHS Pedals · Watch video

Hey everyone, it's Josh here with StuOG. We're showing off a brand new 10-year anniversary Steu signature kilt pedal. It's crazy that it's been that long. >> Yeah, it's amazing.

And for the 10 year anniversary, you've done some adjustments, some mods to it. We're here today to show you all what they are. >> Let's get with it. >> >> The kilt is our take on the vintage expendor and it is essentially an overdrive distortion or a fuzz all in one small package.

Once you play the kill, the regular V2 and especially this new 10ear, it's a pretty wild thing that one pedal can swing that far. Yeah. So, I know one of your biggest loves of this pedal is the crazy gated fuzz that's highly controllable. Yeah.

>> Yeah. Yeah, that's right. And on the old Xander, each pedal sounded a little bit different. What I love about this is it's consistently >> It's wild to see it on so many different boards.

I've seen it country players. I know a jazz guy that loves it. Was it 9 in nails? He like >> in the studios.

Like I know I know engineers that use it on a drum bus. It's just a really cool moment to celebrate how successful, how popular the pedal is and do something unique but super like approachable and familiar. People out there that love the kilt, this is really for you. With the 10 year anniversary, we can now go completely the opposite end of the scale and clean it up really nice, but still be loud and warm.

Yeah, it was a sliding scale when modifying it. We found like a perfectly sweet spot on this. We just lost the unusable, ridiculous side of the fuzz, but we gain the low gain stuff even more than the two. >> So, sometime in 2014, we met in Nashville.

>> Yes. After that, you reached out to me and said, "Stu, if we were to do a signature pedal with you, >> what would that be?" And I said, "what? The X-Men doors were no longer being made. the frustration of having the dip switches on the inside.

I used to have two or three cuz they all sounded a little bit different in the fuzz mode." So, as soon as we started talking about that, you really lit up. >> ...