← Back to Library

What New York used to be

Matt Yglesias opens a seemingly casual discussion about New York City with a startling claim: the city's most defining cultural shift isn't its skyline or its economy, but the total erasure of the specific social ecosystem that defined his youth. While many nostalgic for the past focus on crime rates or rent prices, Yglesias argues we are mourning a lost "feeling" that cannot be legislated back into existence, even as he simultaneously champions the policies that made that feeling disappear.

The Paradox of Progress and Nostalgia

The piece begins by pivoting from sports fandom to urban history, using the Spurs' recent playoff run as a metaphor for how we misread success. Yglesias suggests that just as fans unfairly criticized a young basketball team for losing in the Finals despite a bright future, New Yorkers often critique their city for losing its "edge" even as it becomes more prosperous and inclusive. He writes, "The area around N.Y.U. doesn't have any of the feel of a college town anymore. Nothing about it seems particularly bohemian." This observation hits hard because it acknowledges a tangible loss without romanticizing the past's inherent dangers or exclusions.

What New York used to be

Yglesias is careful to distinguish between the physical preservation of the city and its social soul. He notes that thanks to Jane Jacobs, "a huge share of the physical structures have been preserved despite the economic incentive to re-develop them." Yet, the Al-Azm family's history in Greenwich Village or the specific bohemian energy of the 1980s has vanished. The author argues that the very things progressives fought for—openness, safety, and affordability—have inadvertently killed the "special" status of neighborhoods like Greenwich Village. As he puts it, "the idea of 'cafes serving espresso drinks' being a distinctive attribute of a neighborhood is incredibly outdated, just like 'people can be openly gay here' no longer calls out anything special." This is a profound admission: the success of social liberalism has made the city's former rebellious identity mundane.

The area around N.Y.U. doesn't have any of the feel of a college town anymore. Nothing about it seems particularly bohemian.

Critics might argue that this nostalgia ignores the reality that the "old" New York was often hostile to the very people who now thrive there, but Yglesias anticipates this by stating, "It's not to say that things were better in the past... but they were different and that different New York is where I'm from." He validates the feeling of loss without endorsing a return to the conditions that caused it.

The Virtue Signal That Wasn't

The commentary takes a sharper turn when analyzing the political culture of the 1990s. Yglesias revisits Le Tigre's song "My My MetroCard," using it to dissect the performative anger of his younger self toward Rudy Giuliani. He admits, "the whole vibe of the song is about the exuberance of 1990s New York, back when residents were enjoying the fruits of the huge crime drop but being in the city still felt edgy and affordable." The irony he highlights is that while progressives sang "Fuck Giuliani!" they were simultaneously benefiting from his administration's data-driven policing strategies.

This section serves as a critique of modern political hypocrisy. Yglesias argues that successors moved away from Giuliani's personality quirks but kept the core policy: "what they didn't move away from, though, was the core embrace of data and proactive policing that brought crime down and opened up the city." He suggests that the left often conflates the style of governance with the substance, failing to recognize that effective safety policies can coexist with unpopular leadership. This is a crucial distinction for voters who prioritize public safety but dislike the political branding of past administrations.

The Left's Winning Streak and Policy Void

Shifting from cultural history to contemporary politics, Yglesias tackles the trajectory of the American left over the last decade. He challenges the narrative that the rise of figures like Bernie Sanders or Zohran Mamdani represents a policy victory. Instead, he argues it is largely an emotional one. "Mamdani in Gracie Mansion seems to confirm to the city's younger, better-educated, and more left-wing residents that it is really 'their city' instead of one that's governed by a coalition of rich Wall Street guys," Yglesias writes. However, he immediately undercuts this satisfaction: "But he's not actually doing much policy change."

The author points out that the federal government under Biden achieved more substantive left-wing outcomes than many expected, yet the legacy remains thin on specific structural reforms. He notes, "A bunch of blue states are backing off their climate goals because they never actually implemented policies to facilitate clean energy abundance." The argument here is that replacing moderate Democrats with further-left candidates in safe districts is a "weak lever for changing public policy." Yglesias suggests that real change requires beating Republicans with moderates who can pass legislation, citing John Bel Edwards' success in expanding Medicaid as the superior model. "It turns out we didn't actually have an alternative to police and incarceration," he bluntly states, highlighting a gap between progressive rhetoric and actionable solutions.

Replacing liberal Democrats with even-further-left Democrats in safe blue states is an extremely weak lever for changing public policy.

This analysis cuts against the grain of current activist energy. While many on the left celebrate electoral victories as moral triumphs, Yglesias insists on measuring success by legislative output and institutional durability. He warns that without tangible wins, the movement risks becoming a series of emotional validations rather than a governing force.

The Loneliness Crisis and Digital Taxes

Finally, Yglesias addresses the "loneliness crisis" with a controversial proposal: taxing digital ad revenue to discourage infinite scrolling. He acknowledges the discourse is stuck in diagnosis mode but lacks solutions. "If people are spending too much time scrolling on their phones, then policymakers should tax digital ad revenue to make 'get people hooked on infinite scroll' a less lucrative business model," he suggests. This is a bold interventionist stance that treats attention economics as a public health issue.

He contrasts the current fragmented media landscape with the past, noting, "I think there's a real argument that linear television was better for society because it generated more monoculture moments and more water-cooler conversations." While he admits he isn't fully convinced, he remains open to crude regulatory measures if they can break the feedback loop of isolation. This aligns with his broader theme: sometimes the "obvious" solutions are ignored because they don't fit our ideological preferences.

Bottom Line

Yglesias's most powerful contribution is his willingness to admit that progress has a cultural cost, validating the grief for a lost New York while refusing to romanticize the conditions that created it. His analysis of the left's current trajectory—strong on vibes but weak on policy substance—is a necessary corrective to the movement's self-congratulation. The piece's greatest vulnerability lies in its reliance on the idea that "moderate" politics can deliver transformative change in an era where polarization often blocks even basic governance, yet his call for pragmatic over performative victory remains essential reading.

Deep Dives

Explore these related deep dives:

  • The Death and Life of Great American Cities Amazon · Better World Books by Jane Jacobs

    The classic that transformed urban planning — why cities need density, mixed use, and organic complexity.

  • Al-Azm family

    The article lists 'Ottoman' and 'Arab' among its key terms, suggesting a historical thread connecting New York's demographic shifts to the broader legacy of Ottoman-era Arab elites who influenced global migration patterns.

  • Greenwich Village

    While the author praises Jane Jacobs for preserving physical structures, this article details the specific legal mechanisms and zoning battles that allowed the neighborhood to resist the very 'economic incentive to re-develop' that the author laments has erased its 1980s feel.

  • YIMBY

    The author explicitly identifies as a YIMBY, and this article explains the specific ideological tension between their belief in 'abundance' and the nostalgic attachment to a static, pre-gentrification version of the city they describe.

Sources

What New York used to be

by Matt Yglesias · Slow Boring · Read full article

I love the Knicks, but back in the aughts when the team was in terrible shape, I was a serious Lakers-hater, which meant I became an admirer of the Tim Duncan Spurs and rooted for them in their 2003 / 2005 / 2007 championship runs. And then imagine my surprise when I met Kate, a legitimate Texan and Spurs fan. So it was awkward for the household dynamic when this season put the teams on a collision course.

And I have to say, the post-defeat narratives around the Spurs remind me of a lot of bad political-narrative crafting where irrelevant considerations and arbitrary framings have generated a totally unwarranted cloud of negativity around the team’s performance. If the Spurs had lost in seven to the Thunder, everyone would have said this was a team that achieved more than anyone was expecting this year. But then they achieved even more than that by making it to the Finals, only to fall short after some dumb mental errors and obvious fatigue issues impacting Wembanyama, and people turned very negative. But they’ve got five key guys — Wemby, Castle, Harper, Champagnie, Vassell — who are 25 or younger, plus Carter Bryant coming up and neither Keldon Johnson nor De’Aaron Fox is old. In other words, this is a team you’d expect to get meaningfully better next year just due to aging. It’s a team that stands a better chance than anyone else in the league of winning multiple championships in a short timespan.

Vas: In honor of the Knicks, whats the best NY song?

I feel a little weird about this one because I am from New York and haven’t lived there since going off to college and I think the essence of New York as a city is that it’s a place that people move to.

Whether you’re talking about Frank Sinatra’s “New York, New York” or Taylor Swift’s “Welcome to New York,” you have so many classic songs that are essentially about New York as a destination. If I can make it there, I’ll make it anywhere. Billy Joel’s “New York State of Mind” is about going to New York, and Jay-Z and Nas both have New York songs that directly reference Joel.

These are all good songs, but they’re not really songs that express my emotional relationship to New York City.

For that, I think you have to look to ...