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True love in chaucer's "the Franklin's tale"

The Franklin's Tale: Where Medieval Romance Meets Modern Marriage Ideals

Chaucer's "The Franklin's Tale" stands as a unique intersection point in the evolution of romantic literature—a Breton lay that emerged from centuries of French storytelling tradition yet arrives at something startlingly modern. The tale, embedded within The Canterbury Tales, proposes a marriage built on mutual respect rather than subjugation, and it does so by playing with the conventions of courtly love in ways that still feel radical today.

True love in chaucer's "the Franklin's tale"

The Lays: A Cross-Channel Tradition

The Breton lays trace their roots to the French storytelling tradition. Marie de France wrote in Anglo-Norman French—the dialect of Norman French that developed in Britain after William the Conqueror's 1066 invasion—while Chaucer composed in Middle English, a blend of Old English and the French inheritance.

This shift reflects a profound transformation in the English language itself. After 1204, when King John lost Normandy and political separation from France occurred, English began reclaiming prominence in the court. By Chaucer's era in the late 14th century, Middle English had become dominant—a linguistic evolution that mirrors the social changes occurring across medieval England.

The Franklin's Tale specifically draws from this long tradition of Breton lays: stories of magic, romance, folklore, and the pains of erotic love. But Chaucer adapts these elements into something distinctly innovative for his time.

Who Is the Franklin?

The Franklin in The Canterbury Tales represents something new: a wealthy freeborn landowner, symbol of the rising middle class. He served as sheriff and member of parliament—respected but not noble. His character is defined by generosity, honor, and an almost obsessive dedication to hospitality. Chaucer describes him as an older man with a white beard, riding his horse, worthy in the epic tradition.

The Franklin embodies what would become the most representative English figure: the everyman of the late Middle Ages. He's morally invested in comfort, food, and hospitality—interested in freedom and liberty. It's fitting that he tells this particular tale, as it was inspired by the native Breton lay form while imagining new concepts of gentility.

The Tale's Core: Mastery Versus Gentleness

The story centers on Arveragus and Dorin—their marriage defined by a distinct separation between mastery and gentleness. This dynamic mirrors what Marie de France explored in her own lays, where she placed these two forms of love at odds: control versus freedom.

In Laustik, the jealous husband slays the lady; in Guimar, the hero's love is imprisoned within a walled garden because her husband fears she might love another. These are tales of mastery—control exercised over women. But in Lanval, redemption comes when the lady generously overlooks transgression and rescues him.

Chaucer's Franklin's Tale proposes something different: mutual trust and honor between both parties. Neither partner holds sway over the other through obligation or subjugation.

The Birth of Romantic Love

The concept of romantic love as we understand it today was invented in this period—emerging from the troubadour tradition of southern France in the 12th century. C.S. Lewis noted in his work on courtly love that explaining romantic love to Augustine or Paul would be nearly impossible. The classical and early medieval worlds simply lacked a conception of it.

The rules of dating, ideals of compatibility, marriage based on mutual affection—all of these modern relationship conventions trace back to this literary moment. When the Franklin's Tale describes its vision of marriage—"Love is a thing as any spirit faith; women of kind desire and liberty, and not been constrained as a thrall"—it's revolutionary.

Love is a thing of freedom, not constraint.

This definition explicitly contrasts with the conventional marriages of the period, where wives were subject to husbands much like vassals to feudal lords. Arveragus swears of his own free will never to exercise any mastery over her in practice—though he must keep up appearances of sovereignty for society.

The Courtly Love Triangle

When Arveragus departs for adventures, Aurelius enters the narrative as the perfect courtier who sees Dorin dancing and becomes consumed with love. He's not a villain—he's courteous and honorable—and when he courts Dorin directly, she rejects him firmly. "No, I will stay true to who I am."

But then comes the rash vow—the moment of crisis that defines medieval romance narratives. Dorin promises to be true to Aurelius if he can remove those rocks from the coast. This rash promise becomes the catalyst for everything that follows.

A Counterargument Worth Considering

Some scholars might argue that framing this tale as proto-modern marriage idealizes the specific historical context. The Franklin's Tale still operates within feudal structures—Arveragus maintains sovereignty in appearance, and Dorin's promise emerges from a position of power imbalance. We shouldn't mistake Chaucer's nuanced exploration for genuine equality.

Bottom Line

The Franklin's Tale matters because it captures a pivotal shift in how Western literature conceptualizes love. Chaucer takes the Breton lay form—already centuries old—and transforms it into something that looks forward to modern relationship ideals: mutual respect, voluntary commitment, freedom within marriage rather than subjugation. The tale's biggest strength is this radical reimagining of what marriage could be. Its vulnerability lies in how much further the actual practice of equality still had to go.

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True love in chaucer's "the Franklin's tale"

by Close Reading Poetry · Close Reading Poetry · Watch video

that we've seen magic, romance, a little bit of folklore, a lot of courtly love and longing and the pains of otic love. And these are all the elements, that make the Breton Lays enchanting and interesting. And it's these are also all of the elements that make up the narrative architecture of Chaucer's The Franklin's Tale. the one and only Breton Lei of the Canterbury Tales.

When I was designing this course, I almost split it in half doing two lays from Maria de France and then Chaucers the Franklin's tale and the man of laws tale which is it has a feel of a Breton lay but it's it's not in the style and I decided no we should we should read three of Maria def France and then end with Franklin's tale which is what we've done. So, welcome everyone to the fourth and final lecture in our course at the Breton Lays. this is the last meeting in our course on the Lays. and we've had about 200 years, we've gone about 200 years in advance.

So last week we finished Mar France, we were reading Lanval. So now we go to the late 14th century. So, this is how it begins. And you can read this for free on the Chaucer site.

I just want to read the beginning again in case you missed it. We'll be reading a lot of the Middle English tonight in the lecture. Whoops. Okay.

So, here's how it starts. These older gentle bretonons in her days of diverse adventures modern layers reed in her first Britain tonga which layers with her instruments desa or Ellis read in him for her presence and un of him have in remembrance which e shall say with goodwill as he can. The main difference here in the language of course is that Marita France wrote in the Angloorman French while Chaucer wrote in the middle English. The two works represent two entirely different languages and moments in those languages literatures.

They also reflect a massive shift in the landscape of the language itself. Chaucer's writing again 200 years after Maria de France Mar de France 12th century Chaucer late 14th and you'll remember that William the conqueror invaded Britain in 1066 when he did that French became the dominant language of the English court in aristocracy to the conquered Anglo-Saxons who had written ...