← Back to Library

Longing for the cultural revolution in China today

A viral video analysis of a 2017 film has unexpectedly ignited a radical political movement among China's youth, revealing a deep, generational fracture over the nation's economic future. Jordan Schneider's piece for ChinaTalk offers a rare, granular look at how a group of disillusioned students is weaponizing nostalgia for the Cultural Revolution to protest modern inequality. This is not merely a historical debate; it is a symptom of a collapsing social contract where hard work no longer guarantees survival.

The Spark: Cinema as Political Rebellion

Schneider details how a Bilibili content creator named "Liao Hui Dian Ying Ba" transformed a standard film critique into a manifesto, amassing 37 million views before being silenced. The creator reinterpreted Feng Xiaogang's Fanghua (Youth), arguing that the film's protagonist, a selfless soldier abandoned by the system, was a coded tribute to the radical left. Schneider notes that the creator "completely overturned the official verdict on the Cultural Revolution found in Chinese history textbooks," framing the era not as a catastrophe but as a suppressed "great people's revolution." This reinterpretation struck a nerve because it offered a simple narrative: the current elite betrayed the people, and the only path forward is a return to revolutionary purity.

Longing for the cultural revolution in China today

The speed and scale of this reaction are startling. Within days, the comments section was flooded with slogans like "Long live the people!" and "Carry [the Cultural Revolution] through to the end!" Schneider observes that despite the videos being deleted and the creator's account wiped, the ideology persisted, migrating to safer platforms and private channels. This resilience suggests the movement is not dependent on a single influencer but is fueled by a much deeper societal frustration.

"The 'Net Left' possesses neither a unified manifesto nor a cohesive organization; rather, it is a wave of public opinion that coalesced through a series of events."

The Rise of the 'Net Left'

Schneider identifies the driving force behind this phenomenon as the "Net Left" (wang zuo), a decentralized group of young people who have abandoned the dense jargon of academic Marxism for a binary struggle between "capital" and "the people." The movement's roots trace back to the 2019 "996.ICU" protests, where tech workers revolted against grueling overtime schedules. Schneider writes that during this period, Alibaba founder Jack Ma was "suddenly rebranded as a 'capitalist' who deserved to be 'strung up from lamp posts.'" This shift marked a turning point where complex philosophical debates were stripped away to focus on a singular, tangible enemy: unchecked corporate power.

The movement gained further traction through the "small-town test-taker" phenomenon, where elite university graduates from rural backgrounds realized their degrees no longer guaranteed upward mobility. Schneider argues that the "Net Left" provided a seductive explanation for their stagnation: "it was 'capital' that forced them into this grueling competition; it was 'capital' that led to the inequitable distribution of resources." This narrative absolves individuals of personal failure, transforming their poverty into a badge of moral honor. Critics might note that this binary worldview oversimplifies the complex economic forces at play, yet its emotional resonance is undeniable for those feeling left behind.

The Psychology of the Vanquished

Perhaps the most striking aspect of Schneider's analysis is the psychological reframing of failure. In a society that once demanded relentless self-improvement, the "Net Left" has inverted the logic of Social Darwinism. Schneider explains that "being a 'loser' is no longer a mark of incompetence; it becomes a badge of honor, symbolizing a refusal to compromise with a wicked order." This "Cult of the Vanquished" allows young people to reject the pressure to succeed by framing their inability to compete as a form of heroic resistance against a corrupt system.

The group's devotion to figures like Mao Zedong is less about historical accuracy and more about the need for a symbol of absolute moral purity. Schneider writes that their worship is "less an endorsement of a specific political agenda and more a resolute rejection of the current order." This distinction is crucial; the movement is not necessarily seeking to replicate the chaos of the 1960s, but rather to reclaim the idea of a revolution that prioritizes the common person over the elite. However, this romanticization of a period defined by widespread suffering risks ignoring the very real human costs of such upheaval.

"The 'Net Left' offers no sophisticated explanation as to why capital would necessarily produce this outcome, nor did it need to. Its primary function was to provide the disillusioned with an externalized explanation that absolved individual responsibility for their perceived failure."

Bottom Line

Schneider's analysis powerfully exposes how economic despair is being transmuted into radical political nostalgia, creating a movement that the state views with as much suspicion as traditional dissidents. The strongest part of the argument is its identification of the "small-town test-taker" as the movement's emotional core, linking personal failure to systemic betrayal. The biggest vulnerability, however, lies in the movement's reliance on a simplified, binary worldview that may offer emotional catharsis but lacks a viable roadmap for change. As long as the gap between the promise of meritocracy and the reality of stagnation remains wide, the allure of a "people's revolution" will continue to grow among China's youth.

Sources

Longing for the cultural revolution in China today

by Jordan Schneider · ChinaTalk · Read full article

Today’s guest contributor brings a fascinating analysis of young online leftists in China, focussing on their ideology, social and political context, and how a Feng Xiaogang film inspired them to romanticize the Cultural Revolution.

Shijie Wang is an open-source researcher and Deputy Editor at The Jamestown Foundation’s China Brief. He completed a Master’s in Public Policy at Georgetown University. His research focuses on China’s domestic issues, foreign operations, and critical minerals; he also analyzes China’s strategic moves in the minerals sector through his personal Substack.

The “Fanghua” Incident.

In November 2025, a content creator named “Liao Hui Dian Ying Ba” (Let’s Chat Movies, 聊会电影吧) on Bilibili, China’s largest video-sharing platform, uploaded the first installment of his analysis of Feng Xiaogang’s (冯小刚) film Fanghua (Youth, 芳华). Released in 2017, Fanghua follows the lives of several young members of a military performance troupe in southwestern China from the 1970s to the 1990s. The film places them against a backdrop of turbulent historical transitions: from the tail end of the Cultural Revolution and the Sino-Vietnamese War to the rise of Shenzhen during the Reform and Opening-up era, depicting the divergent fates of its characters. At the time of its release, the film was a box-office success, launched the careers of several young actors, and earned a respectable 7.7/10 rating on Douban Movie, China’s IMDB. However, once it left theaters, the film largely faded from public discourse — until this creator’s analysis surfaced.

Subsequently, the creator uploaded a second analysis video. In his commentary, he frequently referenced other critically acclaimed Chinese cultural products, such as Ming Dynasty 1566 (大明王朝1566), Let the Bullets Fly (让子弹飞), and In the Heat of the Sun (阳光灿烂的日子). By cryptically hinting at the film’s hidden political metaphors, he quickly attracted a massive audience of young viewers. They showered the video with likes, reposts, and “coins” (投币) — a Bilibili feature that allows users to tip or donate to content creators as a sign of endorsement.

The climax of this saga occurred on November 29, when “Liao Hui Dian Ying Ba” uploaded his third analysis of Fanghua. Perhaps frustrated by persistent questions in his private messages, he began the video by declaring that he would no longer hide behind euphemisms; instead, he would explicitly reveal the film’s “true” political agenda. In doing so, he completely overturned the official verdict on the Cultural Revolution found in Chinese history textbooks. He claimed that ...